Designing Boxes

I haven’t blogged in over a month, so it’s about time.  This winter has been unusual in many ways – first, all the snow!  Yes, I’m in an area that gets a lot of snow normally, but this winter has been especially persistent with neither the cold nor the snow ever letting up.  It’s almost April and I still have half my yard covered with snow.  It’s not from a sudden snow, but has been there since January. There’s still a high berm of snow around the driveway from plowing and two foot drifts in places out back.  One hopeful sign is that I’ve seen some snowdrops poking through.  They are not blooming yet, but soon.  Of course they usually bloom in February. Enough about the weather.

I occasionally have people ask if I can make them a special book or marble paper in specific colors.  I take these requests with mixed emotions. It’s fun having the challenge of working to someone else’s vision, but there’s the stress of knowing it could be an epic fail, like the carrageenan disaster I had. In February, I had four special requests and two of them involved making preservation boxes. To have them all come at once was unusual and messed up my hibernation plans. Everything was finished on time, but it took some juggling.

First request was for a wedding guest book with an engraved plate on the cover and endpapers to match the wedding colors.  We added a preservation box for the book and then complicated the box by adding a drawer to keep the printed ephemera from the wedding. Here’s a brief look at the process.

The drawer had to be larger than the book due to the size of the invitation, so I used the extra space on top to provide a place for a pen. All of the measurements have to be exact so that the contents are protected and won’t move around as the box is handled. I cut the binder’s board first, but find I often have to make slight adjustments as I’m working. Since the tolerances are small, I always am amazed that everything fits perfectly at the end.

The second request was for a preservation box to act as a portfolio for a student’s artwork.  This was a challenge as the colors and feel of the box had to complement work that I hadn’t seen and fit smoothly into someone else’s artistic vision. Plus there was time pressure.

We went through many different designs and finally settled on the combination of a black outside, gray sides, black and white paste paper interior and lined with a black and white photo.

The easiest special I did was from a customer who had bought several of my jotters in the past.  She wanted the same thing in a larger size to use in a sketching class.  I thought it was a fun idea and made some extras for sale on Etsy and at the Arts Center of Yates County.

The sketchers only have ten pages so they are perfect for day trips or to keep in a car or purse.  They are easier to organize than loose sheets of paper and keep sketches done at the same time together. I’ve used a nice drawing weight paper for the pages, so I hope people like them.

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Fifty Shades of Purple

Last week I had a wonderful marbling session!  After the angst of the last carrageenan disaster, I was a little bit worried about starting one, especially as I had a special order to work on.  Specials are always a combination of fun and dread.  Fun – to be working with someone else’s ideas and color palette, and dread that I’ll mess it up. This time the theme was purple, specifically toward the blue end of purple rather than the red.  In looking over my colors, I realized that I had several red purples but only a tiny bit of Ultramarine Violet. I quickly ordered some and decided to try mixing some.  Mixing colors when marbling is always a challenge for me.  Some blend very nicely and float well, but others just don’t. Probably has something to do with the chemical makeup, specific gravity or density of the pigment. No clue.  Anyway, this time it worked!

Here are my purples, maybe not quite 50 shades, but a couple dozen!

I did finish up with other colors and some fun.

The first photos show some of the other colors I played with at the end of the session. The rest of the photos come from  spoiled copy of a fashion and pattern magazine for August 1898.  The incredible wasp waists fascinated me.  I can’t imagine having to wear them. I love the color prints and don’t know what to do with them.  I’m not going to marble them!  The ones I did marble were black and white.  The last two images are from my odds and ends. The first is from a Children’s magazine, “The Chatterbox”, which has lots of sad tales full of tragic heroines and Victorian morals. The last is the back cover of sheet music printed in 1915.  Fun combination of interesting stuff!

To finish the week, I finally completed five little books I had started a while ago using the trimmings from larger books.  All of them are roughly 4″ x 4″ and to make up for their small size, I made them thicker than I usually do.  Even though they take almost as long to make as their bigger sisters, I find these fun projects.

Like the hearts and flowers!  The tools and the garlands have leather spines.

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Finished the Boxes!

I finished the boxes from my last post!  These are fun boxes to make, less complicated than the clamshell boxes and much more forgiving. The clamshells are a more durable and professional box and they require very precise cutting. I like making those if I am creating them for a specific item.  Then I know that the fussing and precision has a reason. For either box, most of the fun is in the designing. A few pictures of the construction process, then on to the finished boxes.

All of the boxes are lined with black velvet.  I didn’t get a good side view of the Brass Cup box. You can just see the marbled paper I used, but there’s a good shot of it in my last post.  Just one last decision, to sell them online at Etsy or take them to my local gallery.  Maybe I’ll do both.

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Lidded Boxes with Fun Stuff

In my last blog, I showed a bunch of odds & ends of things that I was thinking about using for who knows what.  Since then, I’ve been busy with plumbers, snow and real life. A few days ago I started playing with one of the smushed cups and, since I always make things in fours, pulled out at random three other treasures. Yesterday and today I started making lidded boxes for all of them.  I decided on the lidded boxes rather than clamshell just because they are faster and I have a lot of other stuff that needs to be done.

Here is where things are now, papers and bookcloth chosen, sizes determined, Davey board cut, bottom trays made and tops covered.

I didn’t have a paper chosen for the horseman when I took the pictures and I changed the paper for the dancers at the last minute.  I hope to finish all of them on Saturday.  If I do, I’ll post the finished creations here. Think I’ll try to sell them on Etsy first, as winter is very slow at local galleries here in snow country.

 

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Smushed Cups

Sam Castner comes through again!  I recently asked Sam to flatten a small, incised, brass coaster.  I knew it would be easy for him since he has a press that will smash anything by putting a gazillion pounds of pressure on it.  At the same time, I gave him some brass drinking cups that had split their sides.  These had been brought home from India by my mother in the 1970s.  I gave him carte blanche with the cups – just saying to do something with them.  Since he was smushing (is too a word) my coaster, he decided to smush the cups also.  Brilliant. Here is the result:

All of these will be used as ornaments for books or boxes.  If you have a special desire for one, let me know and I can work to order.  When Sam delivered these, he also brought some other goodies.  I’m overwhelmed with the possibilities.

I’ve also been back at cleaning out junk and treasures that I’ve collected or inherited over the years and always keep an eye out for anything I can use on my books or boxes. Last week, I was really on a tear and besides getting rid of piles of stuff, rescued these for reuse.

The last of my finds came from my aunt who lived in French Morocco (now Morocco) in the early 1950s.

These cases or wraps seem to have been made to protect books or hold papers. I’m not sure what the large one was for. It’s much to big for a book.  I’m thinking about using the leather in some way to create covers for my blank books, but I may change my mind.  The vellum prayer was with the leather, but I think that was just happenstance.  It looks to me like modern English work. It is on parchment, but not old.  Maybe something my mother bought when she was studying illumination in England in the late 1950s, but I really don’t know.  Not a clue how to use it, but it’s neat.

Moral is it pays to clear out the junk!

Even if it does add to the “have to make” pile.

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Interesting Carrageenan Disaster

I’ve been marbling on a regular basis for seven or eight years now and I’ve never had problems with my carrageenan until last summer. Problems with paint, with paper, with alum, but I didn’t even think about the carrageenan; it was always reliable. Last summer I had minor problems with it starting to break down after only a day or two, but I blamed it on the heat and moved on.  Last week, I finally had time for my first marbling session in months and I was already to go when I hit a real stopper.

It went like this.  The night before, I set up my marbling space, hung my drying lines, chose my paints, mixed the alum and mixed the carrageenan, just as I always do.  Two and a half Tbsp. to a gallon of water, two gallons in all.  I use distilled water because I have an incredible amount of stuff – iron, calcium, sulfur, and more – in my well water.  As usual, I used the same blender to mix it and poured it into my marbling tray to sit overnight.

The next morning, I alummed some paper, mixed my paints and was ready to go. As soon as I skimmed the carrageenan, I could tell something was different. It was much thicker than it should have been and was very uneven. Using a stylus and my rake, I swirled them through the tray to try to even up the liquid.  I decided to throw some paint to see what would happen and this is what I got:

I rather like the wildness in the first two pieces, but it’s not exactly marbling!  As you might imagine, I was getting upset as skimming and stirring didn’t seem to help. Slowly I realized that there were big lumps of carrageenan throughout the tray and that was the problem. I thought about putting the carrageenan through the blender again or just tossing this batch and starting fresh the next day.  I tried breaking the lumps with the rakes and that helped and I found that dragging the comb from the top of the tray to the bottom caught the lumps in the tines, so I started straining out the lumps and bit by bit the carrageenan became smoother and smoother.

As I got rid of the lumps, marbling improved, but it was still very iffy.  I was able to pull some pretty good pieces, but I was still straining lumps out after every skim.  That created a problem of its own.  It was thinning out the remaining carrageenan and, instead of crisp marbling edges, I was getting very soft fuzzy borders.  I did finish up that day, but that night I took out an old packet of carrageenan from a different source and mixed a new batch for the next morning.

I still don’t really know why this disaster occurred.  It could have been that I lost count and added an extra Tsbp. It could have been mixed too little or too much. It could have been due to cold temperatures that night. It could have been some contamination in the carrageenan powder.  I just don’t know, but it was very frustrating!

Next morning I had brand new carrageenan and a brand new tray and marbling went well. In fact things were going so well that I kept on for another three days and I had lots of fun playing with overmarbling, ripples and got back in touch with marbling just for fun. Lots of pictures of my play.

In total I had almost 100 pieces – good, bad and indifferent – by the end of the session.

Now, I want to do it again!

But, before that, I have to have a bunch of plumbing replaced right over my work area.

NOTE:  Clear acrylic frames come in many sizes and make great, inexpensive marbling trays. Just remember to test how well they hold water before using.  If they leak, plumber’s Goop or other sealant will seal the edges.

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Three and a half and counting …

I spent yesterday and today hanging my part of the Holiday Exhibit at the Arts Center of Yates County.  Had a great time working in the Gallery and am very pleased with the display.

I changed the setting on my camera on the second day, causing the difference in lighting.  Bonnie Barney set up the mirror table for me, giving wonderful reflections of the books and boxes.  Very striking!

Exhibit will be open from now to the end of the year.  Be sure to stop by!  Lots of other fascinating art and craft items.  It’s a great place to do your Holiday shopping.

Opening reception with food & wine is this Friday, Nov. 21st from 5 to 7 pm.

ACYC
127 Main Street
Penn Yan, New York

Call for directions  315-536-8226.

See you there.

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Three To Get Ready

“One for the money,
Two for the show,
Three to get ready,
And four to go.

I’ve been in the “get ready” phase for the past few weeks and the finish is almost here!  My local Arts Center is hanging their holiday exhibit next Monday and I am going to be one of the featured artists.  I’m thrilled to be chosen and have been working hard to create lots of new items for the show.  My biggest problem is that as soon as I finish something, I have the design in my head for four more things I want to do.  With hanging only a week away,  there’s very little time for anything else, besides finishing up what I’ve already started.

Here’s a sneak preview.

The red book with the copper insert will have a matching box and I have a third black & white box under construction.  Two more blank books are waiting for covers. I don’t think I’ll have any sheets of marbled paper, but I will have cards, a few framed pieces and some odds and ends.

If you are in the area, please be sure to visit  the Arts Center at 127 Main St., Penn Yan, NY.  “Celebration” will have its Opening reception with food, wine and art on Friday, November 21st from 5 to 7 pm.  If you can’t make the Opening, stop by anytime Nov. 21 – Dec. 31.  We’d love to see you!

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Unfinished Matters

I haven’t posted in a while, but I have been moving forward on several fronts.  In fact, I seem to have too many half-finished projects so thought I’d give you a glimpse of some of them.  Ever since Labor Day, I’ve been trying to set up a marbling session, but something always seems to interfere.  I think it’s called Life. To marble, I really have to have at least three days clear when I can concentrate just on that – four or five is even better – and it’s just not happening.

So on to what has been happening!  About a month ago,  I  wrote about some books I was starting using some of Sam’s metal.  Those books are not all finished, but progress has been made.

Metal books, memo pads and more.

This is the book and matching box I made for the brass pieces.  The brass had originally meant to be covers for a very small book, but I wanted to show them off more than that so I made this elegant book and box set.  I’m really pleased with how they turned out and can’t wait to put them in the Christmas Exhibit at our local gallery.

I’m not as happy with the Coptic book.  Love the covers, but I have never been a fan of Coptic binding. It is not very stable and doesn’t wear well.  I’m especially concerned that the metal will eventually cut through the binding cord.  If I do any more of these, I’ll have to find a way to put padding between the sewing cord and the metal, perhaps with a grommet.

While finishing the first two books, I started working on two other metal covers, but these are sewn over leather thongs.

I  haven’t finished these as I’m not sure about how I’m going to attach the spines. I don’t want an open spine, so I’ll have to attach the leather spine to the metal covers. Right now, I’m planning on a hollow spine with the thongs laced through the leather spine into the metal covers and using an adhesive to adhere the leather to the covers.  I still have to shape and pare the leather before I attach it.  Not sure how well it will work, but it’s fun trying!

Last was the book I am making from the leftover paper from the metal books.  It’s only 3″ high and isn’t finished yet.  I was going to call it “Mousings”, but  thought that might be a bit cutesy.

Next projects:

No idea what these will turn into, but I love these combinations!

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Something Completely Different

I was in Washington, DC for a few days last week and enjoyed returning to a place I had lived for several years.  So much has changed and so much has stayed the same.  One of the new places I visited was the FDR memorial. Although I was very tired at the time, I was impressed and took a few photos. This particular quote struck me as being important for this country to remember now, as then.

I was also fortunate enough to see  Albert Paley exhibit at the Corcoran on almost the last day. Sam Castner’s model of the gates of the St. Louis Zoo was stunning.  Now I have to see the original.

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