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Books, Metal and Magic

It has taken me a long time to get around to this blog about my last week at the Campbell Folk School.  I’m not sure why – the press of catching up, my tiredness from the week or just the difficulty of encapsulating seven very busy and eventful days.

I think I’ll start backwards and show the books I finished during the week first and go into detail later.

As you can see from the outside of these books, I was playing with lots of different ideas.  What you can’t see, is that the  internal structures on these are quite different.  Unfortunately, I couldn’t find my camera for the first few days, so I have no pictures of some of the books in progress.  I’m hoping some of my classmates will share a few of their pictures.  There were only four students in the class and we were all working on very different projects, but there were some commonalities.

The first book I made was the 12th century account book.  I love the shape and size of the book. It’s only 3 1/2″ wide by 10″ tall.  This type of book was used for accounts and also for reading aloud. Since most of the population was illiterate, recitation and reading aloud were very important social and cultural activities.  I can imagine Chaucer holding a book like this and reading his poetry in the English Court.

The instructor, Gian Frontini, had made a book like this from vellum. I had found some old rolls of rawhide in my basement and had brought them with me on the chance I could find something to do with them.  The match was perfect! My rawhide had been cured and scraped rather crudely which left some interesting texture and markings on the book.  I used a slightly rough Fabriano paper for the textblock. It was sewn over narrow strips of the cover rawhide which were later laced into the boards.  You can see the lacing in the photos. I made the headbands with embroidery floss, sewing them into the textblock. The book was then finished off anachronistically with some of my marbled paper.  Even though it is not correct for the period of the binding, I felt it was a wonderful match for the organic feel of the book.  Traditionally, all the edges of the book would have been painted, usually red, but I decided not to.  A laced thong of rawhide was added to the back board of the book. The thong helps to keep the book closed and was also used as a “leash” for the book.  I added a small silver bauble to help in grabbing the book.

I had also found in my basement ( yes, it is a bit like Aladdin’s cave) a long, narrow roll of snakeskin.  I threw it into my box at the last minute intending to ask Gian if I could use it for something in binding. The answer was yes and I decided to make a very small book.  The snakeskin at it’s broadest was less than 4″ wide, so I settled on a book that’s only 3 inches square. Because it’s so small, I made it thick. Lots of pages with few words on each!  Like the rawhide, the snakeskin had to have Japanese paper pasted to the reverse side to give flexibility and durability to the piece. I sewed this textblock with a running Coptic stitch that was used in many Gothic books.  This stitch is not as stable as sewing over tapes, but it is more appropriate to the materials.  I cheated here on the headbands and use the paste on variety, mainly because I was afraid of running out of time. The spine was not glued down, but left as an open tube.  Again, I used my marbled paper as endpapers – a very snaky match.  I was amazed that I had brought just the right papers with me.  I only brought four or five sheets with no plan of how I would use them.  To find I had two that were such great matches was miraculous.  If you have read any of my blogs, you know how I agonize over finding just the right papers.

Next blog I’ll talk about my metal corners, enameled insets and unfinished business.

 

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My First Enameled Book

Some weeks ago I took a class on enameling and was very excited to get working on some projects.  As usual, life intervened, but I have finished my first book.  Here it is!

Now I can’t decide whether to keep it or sell it.  One one hand, it may be the only enameled book cover I ever make as the rest of the pieces are smaller inserts.  On the other hand I really don’t need another blank book.  What to do?

I also decided just to hang my biggest enameled piece. I found out then how fragile the enamel is. Just trying to thread a cord through the holes in the piece, I cracked some of the enamel.  Not catastrophic, but you can see fracture lines in the enamel. You can just see them in the upper left corner when the photo in enlarged.  If I had a kiln, I could just re-fire it.

DSCN4479At the same time I was making the enameled book. I made another of the diskette books.  They are such fun! DSCN4518

I don’t really care for Coptic bindings.  They are not nearly as stable as a cased or bound book and they don’t protect the textblock as well, but they are a lot faster to make and are cute. I’ll probably keep them in my repertoire for fun, quick projects.

I’ve also been doing some marbling. Not terribly happy with the results as I been having a hard time with my carrageenan.  I don’t know if it’s the heat, the humidity or the carrageenan itself, but it’s been breaking down very quickly.  I was getting five or six days from a batch, but the last batches haven’t lasted more than two or three days.  Frustrating! I haven’t changed anything about the water, paints of the way I work, so I just don’t know.

I did have fun with these!

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Nibbled to Death by Ducks

Last week was one of those weeks where I was busy all the time but accomplishments seemed to be few.  Dental appointment, watch it rain, doctor check up, mow the high hay, watch it rain, finish up the “real” books from last week’s blog, watch it rain, pick and freeze strawberries, switch closet from winter to summer, finally finish cleaning up the marbling stuff, spend an afternoon as a sub playing cards, and did I mention – watch it rain.

The good parts are that the garden has started to produce. I just hope the cukes aren’t quite as prolific as last year because I still have a dozen or more pints of bread and butter pickles from my canning frenzy of last year.

The wild blackberries that grow all over my property are coming on.  I love being able to gather a handful every morning on my walk about.  The best are from a bush that came up next to the garage.  I don’t take care of it except to try to keep people who are helping me from tearing it out!

Here are the books I finished from the previous week.  Cased in and ready to go.  I’m particularly happy with the one with the leather spine.  After struggling with paring the leather, it went together very nicely.

After saying last week that I was tired of novelties, I returned to my cross laced long-stitch books and finished up most of the leftovers.  Because of the way the tabs are cut to interlock for the front and back, if you don’t use the same paper for both covers, you end up with either a lot of waste or an extra piece already cut.  Of course, I don’t like to waste good paper, so I had a bunch of leftovers, which became more long-stitch books last week.

JuneBatch2JuneBatch4

 

Not sure what I’m aiming for this week – work in the garden for sure, no marbling but maybe some playing with the dos à dos format.  It’s close to a real book and I’d like to try it with a case-type binding.  We’ll see if it works!

I also have set up a Losing Her Marbles store on Facebook.  It doesn’t have many bells and whistles yet, but social media is slowly creeping up on me.

 

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Back to Basics – Marbling and Book making

For the past few months, I’ve been consumed with the idea of making “different” books.  I’ve tried some soft covers, some Coptic bindings, some upcycling which were all fun stuff, but last week I felt the need to get back to the traditional, case-bound hard covered book. I started a batch of five and it proved to me several things.  As much fun as the other books are, I don’t feel as if they are Real books and I get more satisfaction out of making a book I know will last than the novelties.  They are fun, but transient. I can’t imagine that my hanging books or the floppy diskette books will be around in fifty years; the hard covers could be.  That said, I know I’ll still make both kinds.

These are last week’s books.

June Hard Bound

June Hard Bound

These aren’t actually finished.  They still need casing in.  The fifth book has a leather spine, so it is taking a bit longer.

As much as I enjoyed the marbling class, I felt a bit frustrated by it.  Since I was demonstrating, teaching and helping everyone, I didn’t have time to do any real work myself.  I hadn’t expected to, but still  … When I finally finished cleaning up everything and reorganizing my basement, I wanted to spend some time doing some real marbling.  Here again, I have been playing with a lot of different techniques (over-marbling, masking, figures) and wanted to go back to form and color.  One of the best things about marbling is that it’s so easy even a child can do it, yet it can take years to truly master different techniques.  Maybe like playing a drum!

Again, my last few marbling sessions have been caught up in special effects.  This time I was determined to slow down and enjoy exploring color and pattern.  Turned out to be a great idea.  I’ve had a marvelous week, in spite of the usual frustrations! Tuesday and Wednesday were unusually productive and so far I’ve produced over 50 pieces.  And that’s not counting the “tray fillers”.

Again, my basement becomes my Studio and some of the papers.

Lots of things going on here!  As you may be able to see, I tried to stay with a single color palette for several sheets, making small change in color and design from sheet to sheet.  It’s hard to tell from the pile, but there are probably five or six sheets of each colorway.  You can see it most clearly in the black set.  I used only black, grey, white and one accent color for each sheet.  I used the same pattern, but changed the size of the comb and the rake.  The feel of the piece becomes quite different.  The Dark blue set was on a very stiff card stock and is generally a mess.  I haven’t used anything that heavy in a while and it takes getting used to!  Since it doesn’t bend easily, it is very easy to catch air bubbles and the technique used to lay the paper on the marbling tray is a bit different.  As you can see from the closeup, I was also having some problems with contamination in the tray about that time.  With marbling, there is always something to keep me on my toes.

I love doing maps and did a batch from atlases, road maps and street directories.  I also cut a Pennsylvania highway map into  strips that would fill the tray when I was doing smaller pieces. Not sure what I’ll do with them, but they’ll come in useful some day.  If not, I know a number of collage artists who will use them.  My favorite map was the one of Turkey done in browns and yellows.  It reminds me so much of the time I spent there many eons ago, travelling across from Afghanistan.  Couldn’t do that now.

Marbling is always interesting and always a bit of a surprise.  The colors are never quite what I expect, sometimes better, sometimes not.  And there’s always that dreaded air bubble just waiting to spoil the perfect piece!

Now that summer is really here, my marbling trays will probably remained packed up.  I just have to start using up or selling all this wonderful paper so I can make more!

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Books on a Theme: Face to Face

As soon as I finished the Marbling Class, I changed my focus to the next exhibit being hung by my local gallery. The theme is Face to Face and the drop-off day for artwork was this past Monday.  Not much time!  I already had a few of the soft-cover books I had made in North Carolina, but I didn’t really have much that spoke to the theme. I had been thinking about a Dos à Dos book.  Back to back is almost like face to face.  I also was eager to play with some of my “scraps” to upcycle.

Here is what I came up with and was able to finish last week.

June "Face to Face" books

June “Face to Face” books

The upcycled (fancy way of saying recycled) diskettes were great fun and I had the perfect paper for the yellow one. They are bound with a simple Coptic stitch.

The Dos à dos took a little more thought. I couldn’t decide quit how to cover the middle board.  I could cover it completely with one paper and use the same paper for the front and back covers, but that seemed boring.  I decided I definitely wanted a different, but coordinated, front and back. As I was going through my paper, I found I had three different versions of crane patterns in the Chiyogami.  Problem solved!  I used the blue crane for the front, the white crane for the back and the tan crane for the center board.  Again, I used a simple Coptic stitch binding for the spines.  I was even able to play with the color of the waxed thread: blue for the front and red for the back.  I enjoyed making this and can see myself exploring this format again.

I’m sorry that I didn’t take a better picture of the center board.  Maybe I can drop by the Gallery and take one.

After finishing the crane book, I kept thinking about how to make two books facing each other.  I had seen something like that done in a stab stitch binding, but couldn’t locate it. So I started playing and came up with this.

I started with a piece of mat board I had marbled in blues. I then added two different sized textblocks, one to each end of the board with simple stab stitch patterns.  The covers of the textblocks overlap, but the pages don’t.  Since you usually write with the spine on the left, I made the two books upside down to each other.

As a last hurrah, I took the case for a single floppy disk and put two tiny stab stitched books in it with a tiny pencil. Unfortunately, I forgot to take any pictures, but if I do get down to the gallery, I’ll take some and post them!

Added on 6/15:  Some poor quality pictures of “Just in Case.”

All-in-all, a very busy and productive and FUN week!

A last picture of my items on display at the gallery; just a bit crowded.

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A Scrap Exchange for Upcyling and Fabulous Papers

On my recent vacation, I made trips to two great places near Raleigh, N.C.  The first was to a store I have used online for years, PaperMojo.  They have an astounding array of decorative papers of all types and weights and have just opened a small brick & mortar shop in Wake Forest.  There’s nothing like being able to see and feel a paper before buying.  Textures and weight is so important in bookbinding.  I have a number of sheets I have purchased online in the past that I will probably never use simply because they are too light or too heavy or just don’t feel right.

I didn’t buy much, just one sheet with leaf inclusions to use in the books I was working on and two sheets that will work very well for the soft cover style.  I don’t think I would have bought the latter online.  Here they are:

The other stop was at the Scrap Exchange, a reuse center in Durham, NC. It’s a non-profit that collects unwanted materials from businesses and individuals and sells or re-purposes them.  They have an incredibly eclectic range of items from electronics to wallpaper sample books to office supplies. I bought some odds and ends and it made me start thinking about making books from all sorts of goodies.  Here is my collection:

I have no clear idea of what I’ll do with any of these.  The plastic samples made me think of my Jacob’s Ladders. Both the vinyl floor & wall samples might become book covers as well as the wood.  The marble I’ll be using for paring leather.  If any of these work out, I’ll be looking into finding a local source.  Stayed tuned to see what happens!

In other news, I started planting the gardens – just potatoes for now, but the good stuff will come soon.

I’m giving a three-day marbling workshop next week so that will hold back the planting.  As soon as it’s over I plan to dive into it!.

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Home Again to the Garden

I’ve been on vacation the last two weeks and have come home in one of the loveliest times of the year. The fruit trees and lilacs are all in bloom, the grass was knee high and the nurseries packed with people buying plants.  It’s a bit early to start the garden, but after a long winter the urge to go outdoors and play in the dirt is very strong. Here’s some of what was waiting for me when I arrived home.

I’ve gotten a lot of the grass mowed, but not around the edges!

I had started preparing the garden before my trip and gave it another digging after I returned.  Now’s it’s all ready to fence and do a final grooming before planting.

While I was on vacation, I was playing with my books – of course.  I really like the format of the new soft cover book.  I had cut a bunch of paper for text and covers before I left on vacation as I knew I would have a lot of free time to play.  Here’s the result of my play.  They aren’t quite finished as there is some final gluing and trimming to do.

I had a lot of fun with these books.  First in matching up my marbled paper with a complementary piece of heavy stock, then choosing the thread and playing with the long-stitch pattern and finally deciding on the shape of the slots for the front and back tabs.  Only one of these books has the front and back of the same paper.  I’m looking forward to finishing these up … soon.

Next on my agenda is a marbling class that I’ll be teaching for the local arts center.  It should be a lot of fun. I’m planning on just covering the basics and having the participants have fun experimenting with colors, papers and anything else I can think of.

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New Hanging Books

This is just a quick post to show off my latest batch of hanging books.  I made some with “soft” covers – really very stiff or heavy card stock- and some with Davey board covered with my marbled paper.  The board covers are hinged or articulated in order for them to open properly. I’ve had a lot of fun searching through boxes of old beads to find ones to use on these books.  It feels good to actually use some of the stuff in the basement instead of just tossing it.  Most of the cords and raffia are also from the stash.

Previous versions of hanging books in a blog posted a year ago.

I also tried out a new soft cover binding, but ruined it in the finishing process.  If I am brave enough, I may post some pictures!

Etsy

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Cold Amid the Soft Covers

I promised a blog about my soft-cover books, but first a rant.  Why it is so freaking cold in mid-April?  Wet, cold, gloomy and just the pits!  I suppose I should be happy there are no snow storms or tornadoes, but it’s all about me and I’m COLD!  I have heard there is a magic line about 100 miles south of me where it is warm and spring-like and cherry blossoms are blooming, but not here, not now and that’s not good.  Enough of this already.

On to the books.  I will confess, I have a conflicted relationship with soft cover books.  They can be very diverse, imaginative and fun to make, but they aren’t “real” books.  In my more traditional moments, I equate them with paperbacks and “crappy crafts” as being very disposable, not something one keeps. On the other hand, they are fun and usually easy to make.

When I was on my recent vacation, I bought the materials to make a few when I tried of the ladder games. Naturally, I choose a type of softcover book that is rather traditional in shape. It has the added advantage of having a relatively stable spine.  Many soft cover books have little stability and the spines can twist and wiggle. This book has a nice long-stitch spine and tabs that wrap both front and back which creates a double thickness on the spine.  Once I finished my  first prototype, I began to see some great possibilities for using some of my heavier marbled paper.

Here’s a look at the first one I made (the second isn’t finished yet) and four that I made with my marbled paper once I came home.

The front and back covers are cut at the same time with the tabs interlaced. Works great if you are using the same paper for both, but since I was using my marbled paper for one side, it left an extra set.  There isn’t an individual picture, but in the group you can see that I made a second book from the green textured paper, but with a black marbled piece for the cover.

As usual, some of these books will be available on Etsy.

 

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Making a Jacob’s Ladder Book

Several people have asked me how to make the Jaccob’s Ladders. I’ll try to explain a bit, but it’s really too complicated to describe just in words. I used the instructions in Making Handmade Books: 100+ Bindings by Alisa Golden. It’s available through Amazon.com or other booksellers.

Here’s my brief explanation.

The “steps” of the ladder are made from “sandwiches” of two  boards. I covered my boards with my marbled paper. The sandwiches are joined together by ribbons and that’s the tricky part. The ribbons weave in and out of the sandwiches and are glued on the inside but not on the outside.  The weaving is not straight down the ladder as the ribbons must loop around the step so that the ladder can move.  If you open the ladder slowly, you can see that the ribbons form an X  between the steps, with the outside ribbons staying parallel to each other and the center ribbon “X-ing” them.

In Golden’s book, she lays out the process in 28 steps with diagrams.  Even with that help, it took me several tries to get the weaving completely correct. Once figured out it is a lot of fun!

Good luck and happy gluing!

Ladders6

 

Click below for a short video of a Jacob’s Ladder in motion.

Jacob’sLadder

 

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