Tag Archives: marbled paper

Aqua, Teal and Turquoise

In my last marbling session, I had a lot of fun working with the turquoise family of colors.  I had four shades to play with, making a lot of interesting combinations.  Here’s a quick look at some of them.

I even added them to some of the metallic pieces.

I promise I’ll do the metallic blog soon.  I learned a lot about different effects they can produce.

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Back to Basics – Marbling and Book making

For the past few months, I’ve been consumed with the idea of making “different” books.  I’ve tried some soft covers, some Coptic bindings, some upcycling which were all fun stuff, but last week I felt the need to get back to the traditional, case-bound hard covered book. I started a batch of five and it proved to me several things.  As much fun as the other books are, I don’t feel as if they are Real books and I get more satisfaction out of making a book I know will last than the novelties.  They are fun, but transient. I can’t imagine that my hanging books or the floppy diskette books will be around in fifty years; the hard covers could be.  That said, I know I’ll still make both kinds.

These are last week’s books.

June Hard Bound

June Hard Bound

These aren’t actually finished.  They still need casing in.  The fifth book has a leather spine, so it is taking a bit longer.

As much as I enjoyed the marbling class, I felt a bit frustrated by it.  Since I was demonstrating, teaching and helping everyone, I didn’t have time to do any real work myself.  I hadn’t expected to, but still  … When I finally finished cleaning up everything and reorganizing my basement, I wanted to spend some time doing some real marbling.  Here again, I have been playing with a lot of different techniques (over-marbling, masking, figures) and wanted to go back to form and color.  One of the best things about marbling is that it’s so easy even a child can do it, yet it can take years to truly master different techniques.  Maybe like playing a drum!

Again, my last few marbling sessions have been caught up in special effects.  This time I was determined to slow down and enjoy exploring color and pattern.  Turned out to be a great idea.  I’ve had a marvelous week, in spite of the usual frustrations! Tuesday and Wednesday were unusually productive and so far I’ve produced over 50 pieces.  And that’s not counting the “tray fillers”.

Again, my basement becomes my Studio and some of the papers.

Lots of things going on here!  As you may be able to see, I tried to stay with a single color palette for several sheets, making small change in color and design from sheet to sheet.  It’s hard to tell from the pile, but there are probably five or six sheets of each colorway.  You can see it most clearly in the black set.  I used only black, grey, white and one accent color for each sheet.  I used the same pattern, but changed the size of the comb and the rake.  The feel of the piece becomes quite different.  The Dark blue set was on a very stiff card stock and is generally a mess.  I haven’t used anything that heavy in a while and it takes getting used to!  Since it doesn’t bend easily, it is very easy to catch air bubbles and the technique used to lay the paper on the marbling tray is a bit different.  As you can see from the closeup, I was also having some problems with contamination in the tray about that time.  With marbling, there is always something to keep me on my toes.

I love doing maps and did a batch from atlases, road maps and street directories.  I also cut a Pennsylvania highway map into  strips that would fill the tray when I was doing smaller pieces. Not sure what I’ll do with them, but they’ll come in useful some day.  If not, I know a number of collage artists who will use them.  My favorite map was the one of Turkey done in browns and yellows.  It reminds me so much of the time I spent there many eons ago, travelling across from Afghanistan.  Couldn’t do that now.

Marbling is always interesting and always a bit of a surprise.  The colors are never quite what I expect, sometimes better, sometimes not.  And there’s always that dreaded air bubble just waiting to spoil the perfect piece!

Now that summer is really here, my marbling trays will probably remained packed up.  I just have to start using up or selling all this wonderful paper so I can make more!

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Basic Marbling Workshop: Fun & Colorful

I had a great, fun marbling workshop last week.  Back in October, I had given a hands-on demonstration for the local Art Guild.  It lasted only an hour, so I had to do all the prep work for the participants to be able to do any marbling.  Several people wanted to do more and I scheduled a three-day workshop to share the basics, plus a glimpse at some advanced techniques.  This time the students had to prep, including mixing the paints, aluming the paper, setting up the trays, etc.  Because of the time factor, I did mix the carrageenan the night before.  After a brief demonstration, everyone set to work, splattering and dropping paint, playing with rakes and combs and generally, messing about.  I was very pleased with the outcomes and I think everyone learned a lot while having fun.

Photos of the class:

The participants were quite diverse, one was a book artist, one was just having fun, one was an experimental artist and the last was a collage artist who wanted to be able to make her own papers.  It was pretty intensive, but everyone had a stack of papers by the end.

I even had time to do a few pieces during class and the next day.

Now it’s on to using some of the stacks of paper and trying out some new books.

 

 

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Home Again to the Garden

I’ve been on vacation the last two weeks and have come home in one of the loveliest times of the year. The fruit trees and lilacs are all in bloom, the grass was knee high and the nurseries packed with people buying plants.  It’s a bit early to start the garden, but after a long winter the urge to go outdoors and play in the dirt is very strong. Here’s some of what was waiting for me when I arrived home.

I’ve gotten a lot of the grass mowed, but not around the edges!

I had started preparing the garden before my trip and gave it another digging after I returned.  Now’s it’s all ready to fence and do a final grooming before planting.

While I was on vacation, I was playing with my books – of course.  I really like the format of the new soft cover book.  I had cut a bunch of paper for text and covers before I left on vacation as I knew I would have a lot of free time to play.  Here’s the result of my play.  They aren’t quite finished as there is some final gluing and trimming to do.

I had a lot of fun with these books.  First in matching up my marbled paper with a complementary piece of heavy stock, then choosing the thread and playing with the long-stitch pattern and finally deciding on the shape of the slots for the front and back tabs.  Only one of these books has the front and back of the same paper.  I’m looking forward to finishing these up … soon.

Next on my agenda is a marbling class that I’ll be teaching for the local arts center.  It should be a lot of fun. I’m planning on just covering the basics and having the participants have fun experimenting with colors, papers and anything else I can think of.

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A Rush Job

I had great plans of doing a real job of cleaning up my studio this past week.  Didn’t happen.When I took a few of the new hanging books down to the Arts Center, they mentioned that they were out of my smaller notepad and memo pad covers.  Of course, I had to drop everything and make some up.  It’s more fun than cleaning anyway! So here are the results.

You may notice that I tend to work in fours.  I find that making four books or towers or notepads at a time gives a nice rhythm of repetition without becoming boring.  You can see how I make these notepad covers here.  I have a few of these on Etsy also.

On another note, the weather has finally warmed up and I was able to start digging up the garden yesterday!  I no longer try to do it by hand and it’s much easier.  I have a little electric cultivator that works very well for me.  I’ve tried renting a roto-tiller, but they are just too heavy for me and every year it gets harder for me to pull start gas motors.  I now just drag my long extension cord out behind the pines and till away.  Get fun for a short time!

I’m still plying with some soft covers and mostly making messes.  More on that later.

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New Hanging Books

This is just a quick post to show off my latest batch of hanging books.  I made some with “soft” covers – really very stiff or heavy card stock- and some with Davey board covered with my marbled paper.  The board covers are hinged or articulated in order for them to open properly. I’ve had a lot of fun searching through boxes of old beads to find ones to use on these books.  It feels good to actually use some of the stuff in the basement instead of just tossing it.  Most of the cords and raffia are also from the stash.

Previous versions of hanging books in a blog posted a year ago.

I also tried out a new soft cover binding, but ruined it in the finishing process.  If I am brave enough, I may post some pictures!

Etsy

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Cold Amid the Soft Covers

I promised a blog about my soft-cover books, but first a rant.  Why it is so freaking cold in mid-April?  Wet, cold, gloomy and just the pits!  I suppose I should be happy there are no snow storms or tornadoes, but it’s all about me and I’m COLD!  I have heard there is a magic line about 100 miles south of me where it is warm and spring-like and cherry blossoms are blooming, but not here, not now and that’s not good.  Enough of this already.

On to the books.  I will confess, I have a conflicted relationship with soft cover books.  They can be very diverse, imaginative and fun to make, but they aren’t “real” books.  In my more traditional moments, I equate them with paperbacks and “crappy crafts” as being very disposable, not something one keeps. On the other hand, they are fun and usually easy to make.

When I was on my recent vacation, I bought the materials to make a few when I tried of the ladder games. Naturally, I choose a type of softcover book that is rather traditional in shape. It has the added advantage of having a relatively stable spine.  Many soft cover books have little stability and the spines can twist and wiggle. This book has a nice long-stitch spine and tabs that wrap both front and back which creates a double thickness on the spine.  Once I finished my  first prototype, I began to see some great possibilities for using some of my heavier marbled paper.

Here’s a look at the first one I made (the second isn’t finished yet) and four that I made with my marbled paper once I came home.

The front and back covers are cut at the same time with the tabs interlaced. Works great if you are using the same paper for both, but since I was using my marbled paper for one side, it left an extra set.  There isn’t an individual picture, but in the group you can see that I made a second book from the green textured paper, but with a black marbled piece for the cover.

As usual, some of these books will be available on Etsy.

 

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In Production Mode

For the last two weeks I’ve been on vacation, visiting my family.  The first week I was house and pet sitting while they had a spring break vacation.  Even though I had my laptop with me, I knew  I would be bored with just a dog and a cat for company for a whole week.  Before I left home, I was busy choosing papers and ribbons and then cutting the paper and board for a bunch of new Jacob’s Ladders.  I’m very glad I did! Along with reading several books and the twice daily dog walking, the ladders kept me very busy.  I commandeered a table in the kitchen that had good lighting, much to the dismay of the cat who thought she owned that spot. Every morning I played with my ladders.

Here’s the proof:

TexasGroupI’m getting much better at not making mistakes on the ribbons — or at least, I know how to fix them when I go over instead of under!

I had great fun in choosing the papers before I started.  I have music, recipes, art prints and even the Bible. Here are some close-ups of some of the “steps”.

I have another music ladder completed except for the last step.  I miscounted the number of boards. About half of these ladders will be for sale on Etsy.

I also visited the local art supply store, just to see.  Of course I bought a bit of paper to play with.  I made, or rather started some soft-cover books with long stitch bindings.  I’ll save those for my next blog!  I still am owning a blog on the process of masking marbling.  I hope to get to that soon.

 

 

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Maps of the Mind, Marbled, of course

Maps are some of my favorite recycled papers to marble.  I try to use colors that complement the areas of the map – browns and rust for desserts, blues and greens over the oceans – as well as harmonize with any printed colors.  As with much in marbling, you can plan a lot, but the paints seem to have a will of their own in the end and that’s the element I find so fascinating.  The little drop of white that centers itself right over a town or the purple swirl that almost follows a coastline  or the yellow streak of marbling that happens to disappear on top of a printed red and magically appear again to lead to a river or mountain is always a surprise.

Here are a few maps I’ve marbled in the past.

In my last marbling session I did a bunch of pages from an atlas.  Because of the way books are made, when disbound the pages are not consecutive, so I had gazetteer pages facing map pages.  I had originally planned to use both pages for ladders,  but I like the maps so much that I don’t want to cut them up.  Here are some of the pages.

I’ve used my marbled maps in numerous projects: books, towers, portfolios, almost everything I make, I’ve tried it with maps.

The map covered towers have been very popular, especially when I use local maps.  Eventually I will map some map ladders, but right now I’m “laddered-out” as you will see in my next blog!

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Shimmer & Shine

One aspect of marbling that haven’t explored much is the use of metallic paints.  I had tried some in the past with rather mediocre success and just hadn’t worked with them again.  During the class at the Campbell Folk School this fall,  I had some very successful pieces with metallic paints.

These two pieces show the use of metallics. In my last marbling session, I decided to explore their use a bit more, trying to match metallics with colors and just seeing how they reacted with other colors.

One of the first things I verified was that metallics just don’t show up well on white paper.  They tend to just look like a flat brown, orange or grey.  The colors I was playing with were gold, copper, bronze and silver.  Here are three white cards that had gold and copper on them.

As you can see, it’s hard to tell where the metallic is.  In contrast to this, here are some of the pieces I made with metallic paints using colored card stock.

The papers used for these pieces were black, royal blue, red, and purple. The gold and coppers are much clearer.  The amount of shininess depends entirely upon the amount of paint dropped.  On some of these there is way too much.  One problem that arises with metallic paint is that it granulates very quickly and has to be constantly stirred – without making bubbles!  This paint had the added problem that it was old and even more prone to coming out of suspension.  Fine for experimenting, but not the best.  That is why there are so many little “bits” of paint in the designs. These are especially noticeable on the fine lines of the get-gels.  On the purple stone piece, I decided to join rather than fight, so I left it at the stone stage without trying to do any drawing out.

I think I’ll continue working with metallic paint, in moderation.  I like the clear crisp colors a bit better, but it does have a place in my marbling palette.

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