Tag Archives: marbling

Back to Basics – Marbling and Book making

For the past few months, I’ve been consumed with the idea of making “different” books.  I’ve tried some soft covers, some Coptic bindings, some upcycling which were all fun stuff, but last week I felt the need to get back to the traditional, case-bound hard covered book. I started a batch of five and it proved to me several things.  As much fun as the other books are, I don’t feel as if they are Real books and I get more satisfaction out of making a book I know will last than the novelties.  They are fun, but transient. I can’t imagine that my hanging books or the floppy diskette books will be around in fifty years; the hard covers could be.  That said, I know I’ll still make both kinds.

These are last week’s books.

June Hard Bound

June Hard Bound

These aren’t actually finished.  They still need casing in.  The fifth book has a leather spine, so it is taking a bit longer.

As much as I enjoyed the marbling class, I felt a bit frustrated by it.  Since I was demonstrating, teaching and helping everyone, I didn’t have time to do any real work myself.  I hadn’t expected to, but still  … When I finally finished cleaning up everything and reorganizing my basement, I wanted to spend some time doing some real marbling.  Here again, I have been playing with a lot of different techniques (over-marbling, masking, figures) and wanted to go back to form and color.  One of the best things about marbling is that it’s so easy even a child can do it, yet it can take years to truly master different techniques.  Maybe like playing a drum!

Again, my last few marbling sessions have been caught up in special effects.  This time I was determined to slow down and enjoy exploring color and pattern.  Turned out to be a great idea.  I’ve had a marvelous week, in spite of the usual frustrations! Tuesday and Wednesday were unusually productive and so far I’ve produced over 50 pieces.  And that’s not counting the “tray fillers”.

Again, my basement becomes my Studio and some of the papers.

Lots of things going on here!  As you may be able to see, I tried to stay with a single color palette for several sheets, making small change in color and design from sheet to sheet.  It’s hard to tell from the pile, but there are probably five or six sheets of each colorway.  You can see it most clearly in the black set.  I used only black, grey, white and one accent color for each sheet.  I used the same pattern, but changed the size of the comb and the rake.  The feel of the piece becomes quite different.  The Dark blue set was on a very stiff card stock and is generally a mess.  I haven’t used anything that heavy in a while and it takes getting used to!  Since it doesn’t bend easily, it is very easy to catch air bubbles and the technique used to lay the paper on the marbling tray is a bit different.  As you can see from the closeup, I was also having some problems with contamination in the tray about that time.  With marbling, there is always something to keep me on my toes.

I love doing maps and did a batch from atlases, road maps and street directories.  I also cut a Pennsylvania highway map into  strips that would fill the tray when I was doing smaller pieces. Not sure what I’ll do with them, but they’ll come in useful some day.  If not, I know a number of collage artists who will use them.  My favorite map was the one of Turkey done in browns and yellows.  It reminds me so much of the time I spent there many eons ago, travelling across from Afghanistan.  Couldn’t do that now.

Marbling is always interesting and always a bit of a surprise.  The colors are never quite what I expect, sometimes better, sometimes not.  And there’s always that dreaded air bubble just waiting to spoil the perfect piece!

Now that summer is really here, my marbling trays will probably remained packed up.  I just have to start using up or selling all this wonderful paper so I can make more!

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Basic Marbling Workshop: Fun & Colorful

I had a great, fun marbling workshop last week.  Back in October, I had given a hands-on demonstration for the local Art Guild.  It lasted only an hour, so I had to do all the prep work for the participants to be able to do any marbling.  Several people wanted to do more and I scheduled a three-day workshop to share the basics, plus a glimpse at some advanced techniques.  This time the students had to prep, including mixing the paints, aluming the paper, setting up the trays, etc.  Because of the time factor, I did mix the carrageenan the night before.  After a brief demonstration, everyone set to work, splattering and dropping paint, playing with rakes and combs and generally, messing about.  I was very pleased with the outcomes and I think everyone learned a lot while having fun.

Photos of the class:

The participants were quite diverse, one was a book artist, one was just having fun, one was an experimental artist and the last was a collage artist who wanted to be able to make her own papers.  It was pretty intensive, but everyone had a stack of papers by the end.

I even had time to do a few pieces during class and the next day.

Now it’s on to using some of the stacks of paper and trying out some new books.

 

 

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Maps of the Mind, Marbled, of course

Maps are some of my favorite recycled papers to marble.  I try to use colors that complement the areas of the map – browns and rust for desserts, blues and greens over the oceans – as well as harmonize with any printed colors.  As with much in marbling, you can plan a lot, but the paints seem to have a will of their own in the end and that’s the element I find so fascinating.  The little drop of white that centers itself right over a town or the purple swirl that almost follows a coastline  or the yellow streak of marbling that happens to disappear on top of a printed red and magically appear again to lead to a river or mountain is always a surprise.

Here are a few maps I’ve marbled in the past.

In my last marbling session I did a bunch of pages from an atlas.  Because of the way books are made, when disbound the pages are not consecutive, so I had gazetteer pages facing map pages.  I had originally planned to use both pages for ladders,  but I like the maps so much that I don’t want to cut them up.  Here are some of the pages.

I’ve used my marbled maps in numerous projects: books, towers, portfolios, almost everything I make, I’ve tried it with maps.

The map covered towers have been very popular, especially when I use local maps.  Eventually I will map some map ladders, but right now I’m “laddered-out” as you will see in my next blog!

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Shimmer & Shine

One aspect of marbling that haven’t explored much is the use of metallic paints.  I had tried some in the past with rather mediocre success and just hadn’t worked with them again.  During the class at the Campbell Folk School this fall,  I had some very successful pieces with metallic paints.

These two pieces show the use of metallics. In my last marbling session, I decided to explore their use a bit more, trying to match metallics with colors and just seeing how they reacted with other colors.

One of the first things I verified was that metallics just don’t show up well on white paper.  They tend to just look like a flat brown, orange or grey.  The colors I was playing with were gold, copper, bronze and silver.  Here are three white cards that had gold and copper on them.

As you can see, it’s hard to tell where the metallic is.  In contrast to this, here are some of the pieces I made with metallic paints using colored card stock.

The papers used for these pieces were black, royal blue, red, and purple. The gold and coppers are much clearer.  The amount of shininess depends entirely upon the amount of paint dropped.  On some of these there is way too much.  One problem that arises with metallic paint is that it granulates very quickly and has to be constantly stirred – without making bubbles!  This paint had the added problem that it was old and even more prone to coming out of suspension.  Fine for experimenting, but not the best.  That is why there are so many little “bits” of paint in the designs. These are especially noticeable on the fine lines of the get-gels.  On the purple stone piece, I decided to join rather than fight, so I left it at the stone stage without trying to do any drawing out.

I think I’ll continue working with metallic paint, in moderation.  I like the clear crisp colors a bit better, but it does have a place in my marbling palette.

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More Ladders

I was so pleased that I finally have the ribbons straightened out that I made a bunch more of the Ladders.  I’m especially enjoying using pages from vintage books.  The way the paper is cut, I rarely have complete paragraphs or even sentences.  It is a mind stretcher to “read” some of them.  They are not really just random words, but more like dream thoughts that never get quite completed.  I’ve cut a bunch more from cookbooks, Shakespeare and even the Bible.  I’m looking forward to putting them together.

In the meantime here are the ones I’ve finished.

All of these are for sale on Etsy.  In other news, I’m still cleaning up from my last marbling session. Marbling is fun, but it does make a mess!

I’m still sorting out the papers and trying to decide which papers to use and which to sell. That’s always a fun enterprise.  More on those papers later … I hope!

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Monochromatic Rainbow

I suppose that’s actually an oxymoron, but it describes the marbling I did this weekend!  I was so impressed by the “shades of grey” piece I did at the beginning of January, that I decided to expand the repertoire. Now I have monochromatic pieces of all the primary and secondary colors; red, orange, yellow, green, blue and purple.  All I need now is to figure out how to use them!

Here’s one of each on the line.

Rainbow3

and a quick gallery of them all:

There are four sheets of each color except the blue.  I really like the fresh, clean look of these.  I plan to do more this week, but I also have other ideas. Today I also did some marbling using masks to cover portions of the paper so they don’t have paint.  They can either be left plain or overmarbled.  I hope to have those results for you by the end of this week.

Sometimes there are too many ideas for the time I have.  Decisions, decisions, decisions. As much as I love having piles of paper around, it does help if I can actually sell some or make something from them to sell.  At least it gives me money to buy more supplies.

 

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Not Quite As Planned

My plans for marbling this weekend didn’t quite work out – seems to be a theme going on here.

I did have a great weekend however, even if not as planned.  As I mentioned in my last blog, I was  playing with the ladders and getting a bit frustrated.  I had made the blocks for two ladders, but my first attempt at the ribbons wasn’t right.  I pulled them apart and tried again on one of the ladders and finally had the weaving right, but the ribbons were too loose, some blocks had gotten upside down, and it just wasn’t pretty!

I also had three books that I had started months ago, but had been too busy to get back to them. So I decided instead of creating more paper to join my stash and create more work, I would finish up some things, including mastering the ladders.  So, here are the results!

Ladders Ladders9 Ladders8 Ladders6Ladders4Ladders2

 

I made four ladders this week, The bottom two in the first photo were my successful ones.  One is made from pages of a 1947 book about Bozo the Clown that I marbled.  The other is regular marbled paper.  The top two are from an old copy of “The History of Western Art”. I was really excited about these as they would form a little “book” snapshot of art through the ages.  Unfortunately they were the ones I messed up.  I still like the idea and think I’ll have to marble some more pages and try again.

Ladders10

Here’s a close-up of two of the blocks from the the art book.

These are the books I finished.  Unlike most batches I make, these are all the same size.  It does make cutting the paper and boards easier, but it’s not as much fun!

JanBookTrio3

I’m very pleased to have finished these and I’ll be putting them up on Etsy within the next week.

Maybe this week, I’ll get started on my new paints and all the marbling ideas that are floating through my head!

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Quick “show and tell” of my last overmarbling

Why is it that when you really want spectacular results the souffle falls? At least it seems that way.  I was hoping that the few overmarbles I did in the last batch would be good demonstrations of how the technique can work.  Instead they are just some more examples of not-quite-hits.  It happens.   Next time …

Anyway I did promise to show you and here are the results, side by side.

Example 1:
The original paper is on the right, overmarbled on the left.

No alumNo alum - over

The original sheet either was missed in the alum process or was flipped and I tried to print on the wrong side.  Most of the pigment and pattern washed off in the water bath.  You can see a few traces of a nonpareil pattern on the left edge.  The remaining pigments left a pale wash over the paper.  The overmarbling used similar color in a wide, looping pattern that gained some resonance from the under pattern, but nothing outstanding. It’s a pleasant piece, but not what I hoped for.

Example 2:

Washed outWashed - over

This original piece was in pale, almost washed-out greens. This photo makes the piece look worse than it was.  It was nice, just rather wishy-washy.  I thought it might be a good candidate. I over marbled it with yellows, burnt sienna and oranges. Unfotunately, the burnt sienna granulated a bit and didn’t give the strong lines I was expecting. The undercoat gives interesting shadows and reflections, but not the “wow” factor.

Example 3:

PurplePurple - over

This piece was quite successful in bringing a rather namby-pamby piece back to life.  I’d had a problem with the yellow in the first piece pushing all the other colors and then disappearing when printed. For the over coat, I used the same colors in the same stone pattern without the yellow and obtained a very nice colorful piece.  This one is the most interesting to try and trace the under and over patterns. If you focus on the black, almost triangular shape a little to the left and above center in the first piece, you can see the same shape in the middle of a large purple stone in the second.  From there, you can trace many of the black veins and colored stones.

Example 4:

Green Green - over

This was my most successful piece of these four.  At least I think so!  The original piece was nice with a little bit of a ripple going on, but it had some flaws that would have made it hard to use.  For the overmarble, I used similar colors, but made them more intense.  I tired to echo the under pattern, without the ripple.  The ripple shows through and gives a very subtle motion to the piece.  The flaws tend to blend into the new patterns and make the piece very usable,

I’m hoping to start another marbling session this weekend and I’m excited to have just received a shipment of lots of new colors in my new paint.

In the meantime, I’m frustrating myself making some more Jacob’s ladders.  Preparing the blocks is a piece of cake.  Threading the ribbons is a whole different matter!  There always seems to be one that is not right – usually the broken rung is in the middle.  Will post more pictures when (and if) I get them right.  Doesn’t matter, I’m having fun.

Later posts on overmarbling:  Playing  Addendum

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New Year, New Paint

Last fall at the Folk School the class I took in marbling used a different brand of paint than I use.  The instructor gave us the left-overs to take home (thank you, Pat!) but I hadn’t had time to use it.  I find that using a product in a class is very different than using it in my own studio.  Timing is different, paper is different, even the water is different, so I don’t like to make decisions until I’ve had time to play on my own and with my normal supplies.  All I can say is that I love the new stuff!  It’s Golden’s Fluid Acrylics and I am finding them much easier to use than the old and they seem to be sharper and more coherent than the old brand.  Here are some of the papers that I made this week.

I’m thrilled with the black and grey piece.  I have tried mono-tone marbling in the past and haven’t been completely satisfied with the results, but this one works.  I’m hoping it’s the new paints and I foresee trying a batch of mono-tones in my next marbling session.

I also tried some more overmarbling with less than stellar results. I’ll post the before and afters in a few days for your comments.

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A Book or a Toy?

It’s been a very busy time since my last blog!  I had a number of calls from local outlets for more inventory – cards, books, towers, note pads –  just everything.  It’s all good, but it does create time pressure on everything else.  I didn’t even have time to take pictures!

In the middle of all of this, I decided to play with a little “book” I found in a bookbinding manual that is based on the old toy “Jacob’s Ladder.”  You know, the little pieces tied together with cord or ribbon, that clatter down in one direction and then the other.  My version, naturally, uses light-weight board covered with marbled paper.  My first attempt (the prototype) failed miserably when I misread the instructions for the ribbon placements.  The second, (beta)  was strung incorrectly  but I was able to fix it.  My first “real” version is under weights right now.  I’ll see how it goes tomorrow morning.

Here are the prototype and the beta version.

Jacobs2 (1)Jacobs2 (2)Jacobs2 (3)

Here’s an attempt at showing the Jacob’s Book in action.

Jacobs7Jacobs5 (1)Jacobs4 (3)Jacobs4 (2)

Click for a real video of the Jacob’sLadder

If I become inspired, I’d like to try making it a real book with a poem, a story or even just words.  Don’t know when I’ll have time.  Soon, I hope.

 

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